I love music that plays somewhere in that glitterball-lit realm between disco, house, dub, funk, rock 'n roll, and pop. This site will host mixes I've made and songs I like that dance across the genres. Let me know what you think. And if you've got a party or night you'd like moving to this sound, drop me a line on rorychallands (at) gmail (dot) com.
To welcome in the new year, here's the opposite of snow. Don't get me wrong, I like snow. It's nice seeing London all covered in white, and there's much satisfaction to be had in the journalistic creativity put into such unexpected headlines as 'Snow Causes Travel Chaos'. But these are small pleasures.
Sunshine. Ah, sweet hot sunshine. Think of cycling in a t-shirt... cold beers in the park... the smell of barbeques... bronzed skin... the sound of crickets... lying with your eyes closed on the beach. Let's face it, if sunshine is round the corner, snow better pull up those shorts and jog on.
The bitch is though, sunshine ain't round the corner. It's about 4 months away, punks. So if you need a little sunshine advance these tunes might help. They're off an album that I listen to an astounding amount considering I barely understand a damn word being sung. Golden Afrique is a totally joyful compilation of west African pop from 1971-1983. The guitars chirrup, the trumpets swing, the syncopated rhythms shuffle and hop, and the voices soar. In short, it's like tipping your head to one side, raising an arm, and pouring a large jug of high-proof sunshine into that lug-hole of yours.
I know very little about these two artists. Bébé Manga is a Cameroonian singer, and Ernesto Djédjé was an Ivorian who pioneered a musical style rather wonderfully called 'ziglibithy'... and that's about as much as I can tell you. 2010 should really be the year that I crack into African music, because from the little I've heard there's some absolutely magical stuff to be discovered.
So do you have a nice log fire ready? Are you wearing your advanced Norwegian knitwear? Well get cracking, people, because the Cold Comforts Mix Pt 2 is a toasty treat.
This collection puts the emotional and the lovelorn before the hedonistic. It turns down the disco, and turns up the swoon. Sure, you'll find some rave here, but it's raving with an ache in the heart. This is the most varied mix I've done for a while. It's also the one I've been most excited about for a goodly time too.
I'm a total Björk fan boy. I'm not sure there are many musical geniuses left these days, but I know she's one of them. Fact. So I've kicked off with the gorgeous It's Not Up To You of her Vespertine album. Then there's a nod to dubstep with the so-hottt-right-now combo of The XX and Joy Orbison. Mmmm... bass. If there's one tune I just can't stop listening to at the moment it's Randy Crawford's early 80s smooth soul classic, You Might Need Somebody. So you get that and a super-sensual dollop of JJ Cale too. Then it's back to the dance floor. Tensnake's Congolal is a wonderful bit of romantic instrumental electro-funk, full of yearning synths and slap bass. And then there's Four Tet. Love Cry is his latest record and it's deep and hypnotic, and I can't praise it enough. Four Tet's done some great stuff over the past decade, but this is possibly his best. And to wrap things up there's a righteous dubby version of Yazz's Fine Time.
Tracklisting: Björk - It's Not Up To You, Florence & The Machine - You've Got The Love (The XX remix), José James - Black Magic (Joy Orbison's recreation), Rubies - Diamonds On Fire (Pyramid Dub Version), Blaze - Lovelee Day (20:20 Soundsystem remix), Mayer Hawthorne - Green Eyed Love (Classixx remix), Randy Crawford - You Might Need Somebody, Social Disco Club - 4 Love, JJ Cale - Cherry, Electribe 101 - Talking With Myself (Frankie Knuckles mix), Tensnake - Congolal, Four Tet - Love Cry, Yazz feat. Colonel Mite - Fine Time (12" mix) DOWNLOAD MP3>
I've been rained on cycling about seven times in the last week. And I don't mean 'ooh, isn't that refreshing' rain. I mean 'tadpoles could flourish in my y-fronts' rain. I read some smugly optimistic tripe in a colour supplement once claiming if you cycled every day of the year, on average you'd only get wet eleven times. That journalist had better be calling in some serious prayers for a drought in 2010, or I'm going to be paying a soggy visit.
So this mix is supposed to be a nice warming one for rain drenched early December. Why not pop it on at your office Chrimbo party? I'm hoping to make it a two-parter, and follow up with some slower paced, more downtempo music - just right for plopping down in front of a log fire, clad in some advanced Norwegian knitwear.
Cold Comfort Pt 1 was recorded live, rather than pieced together over a week or so like most of my other mixes have been. Because of this there's a bit of a rough and ready hue to it, which I hope doesn't detract too much from the flow.
If you've been paying a visit to this blog for a bit there are a couple of tracks you'll recognise. There are some other corkers too... the Staple Singers get all gospel with their cover of Slippery People by the Talking Heads, Kariya's Let Me Love You For Tonight is a screaming bit of late 80s house, and Rory Phillips turns The Units' electro-punk classic into a proper mover. Also, if you are of the right sort of age to have thought the first Renaissance mix album made 1994 the high point of recorded music, then Slid by Fluke needs no additional comment.
Tracklisting: Phoenix - Fences (Def Starr version), The Staple Singers - Slippery People, The Joubert Singers - Stand On The Word (Unabomber's Love Touch edit), Kariya - Let Me Love You For Tonight, M - Pop Muzik (Todd Terje remix), Fuke - Slid, Konk - Your Life, Feist - Sea Lion Woman (Pitto Bootleg), The Units - High Pressure Days (Rory Phillips edit), Connie - Get On Down, 40 Thieves - Don't Turn It Off (Brennan Green remix), Sandee - Notice Me, Crazy P - Stop Space Return (Unabombers Dub), Krikor & The Dead Hillbillies - God Will Break It All DOWNLOAD MP3>
It's weird I haven't been into Fleetwood Mac longer than I actually have. I've always been a sucker for that place where polished 70s rock meets pop. But my almost fevered current obsession has only really been burning for a couple of years or so. I think the catalyst was my friend Dom telling me he'd never copied Rumours to his iPod, because the only situation worthy of being blessed by the great album was after a night out, drunk, lying on the sofa. Since my addiction has blossomed I've never been able to practice such self restraint.
Anyway, I went to see them in concert last weekend, and they were absolutely wonderful. Age has taken the higher notes out of Stevie Nicks' voice, and Christine McVie quit back in the 90s, but this is a band that still loves to play. They've got a staggering collection of great songs, and such a tumultuous personal history that each rendition seemed like a cathartic autobiography being played out in front me. Possibly the most jaw-dropping moment was Lindsey Buckingham doing a virtuoso solo accoustic version of Big Love. It climaxed (almost literally) with a possessed Buckingham howling out the oohs and ahhs that come (whoops) at the end. It's a song that obviously means a lot to him.
So, I thought I'd post a song each from their four biggest albums: Fleetwood Mac, Rumours, Tusk, and Tango In The Night. These aren't necessarily my absolute favourites, because there are too many of those, but they hopefully highlight the strengths of the band's three songwriter/singers.
Landslide is off the first album FM released after Stevie Nicks and Lindsey Buckingham had joined. They were a romantic couple as well as a musical one - but they weren't getting on while Fleetwood Mac was being recorded in 1975. Landslide is Stevie meditating on their relationship, and it shows off her earthy, sensual voice beautifully.
When Rumours was being written everything was going tits-up in a huge way. Nicks and Buckingham were splitting up, and the band's other couple bassist John McVie and his wife Christine were also on ropes. Christine was fed up with John's boozing, and had left him for the band's lighting guy. So she wrote You Make Loving Fun for her new fella. It's a lovely uptempo groover. I wonder what John was thinking as he tapped out that bass line. Rumours is an album born of total disfunction between band members - and it sold absolutely gazillions.
Tusk is a bit more difficult to choose from as it's so much bigger. It's a sprawling double album of 20 tracks that was the most expensive record ever produced when it was released in 1979. By the standards set by Rumours, Tusk was a commercial turkey. But it's still a phenomenal piece of work. I wanted to put a Buckingham track up from Tusk (he wrote the lion's share of it), but I've gone for another Christine McVie song. She's sometimes described as the most conventional writer of the band - yet Brown Eyes is anything but. It's got a minimalist aesthetic, and paradoxically manages to be lush at the same time. The hushed, layered vocals, and metronomic high-hat cymbal make this a really hypnotic song.
After Tusk, Fleetwood Mac were almost spent. Everyone was shagging someone they shouldn't have been, and writing songs about their twisted relationships with each other. And then there was the cocaine. Mountains of cocaine. Oh, and tranquillisers too. So Nicks and Buckingham drifted off for solo careers, and the next couple of FM albums, though strong in many parts, weren't classics. But in 1987 they managed to pull it back together for Tango In The Night. It's a very 80s album, full of synthesizers and pop sheen - and if you ever want to getting a wedding party jumping, play Everywhere or Little Lies. That sounds like faint praise, but it's really not meant like that. So here's Big Love, the Buckingham track I mentioned at the start, but in its original form.
I really urge you to get these albums. Not because Fleetwood Mac need the money (they really really don't) but because they're the high points of one of the best and most distinctive bands ever. I can't think of any other that's combined such singing/songwriting breadth with such a unique interpersonal dynamic.
Oh my. This one's a monster. From the happy clappy gospel disco of the Joubert Singers to the stomping, goth disco of Krikor & the Dead Hillbillies. Yin and Yang, shall we say.
God is the lead character in both these songs, but they describe quite different deities. Here, He's the lord of destruction, not creation - undoing all His previous work like a child kicking in its own sandcastle. This could be the devastatingly funky soundtrack to armageddon. I can imagine an army of miscreant angels listening to this on paradise-issue ghetto blasters as they lay waste to the world.
Hell, I might join them. It sounds like fun. DOWNLOAD MP3>
Buy it here, you sniveling little mortals. Amazon.co.uk
I like music that makes me want to dance. Lots of it does. I make mixes of that music for my friends and you might like them too.
If you want me to play music like this at parties, festivals, club nights, contact me at rorychallands (at) gmail (dot) com.
I post music here because I think people should have more of it in their lives. If you like what I put put up, please follow the Amazon and iTunes links and buy the albums. People's livelihoods depend on it. If you're an artist and you want a song taken down for any reason please email me on rorychallands (at) gmail (dot) com.
To welcome in the new year, here's the opposite of snow. Don't get me wrong, I like snow. It's nice seeing London all covered in white, and there's much satisfaction to be had in the journalistic creativity put into such unexpected headlines as 'Snow Causes Travel Chaos'. But these are small pleasures.
Posts
